DANCING IDENTITIES OR THE INTRICACIES UNDERPINNING DANCE COMMODIFICATION IN BUJUMBURA CITY1

Authors

  • Aminadab HAVYARIMANA Faculté des Lettres et Sciences Humaines Author

DOI:

https://doi.org/10.71105/

Keywords:

Bujumbura city, Burundian culture, traditional dance clubs, dance commodification, identities.

Abstract

This article explores the intricacies underpinning the market negotiation in traditional dance commodification in Bujumbura city. With the traditional dance club proliferation, clubs adopt strategies in the competitive search of the maximum of customers. The gaol of this article is to understand the strategies adopted by traditional dance clubs to attract and keep the consumers of their products. The main focus is on how club members organise to produce attractive songs and dances, what makes the performances unique, and how they adapt the contents to the identities of their customers. Eleven members of six of the traditional dance clubs operating in Bujumbura city participated in this research. A qualitative approach was adopted and an ethnographic method applied to investigate the mechanisms under study. Findings reveal that, besides strategic geographic positioning, most of the investigated dance clubs start with song-writing before performances. The meticulousness used in the formulation of the messages conveyed through the words and gestures of the performances takes precedence over everything to reach all the possible customers in their different identities. Several choreographic techniques are applied, a range of traditional instruments and clothing used to attract customers.

References

Asiimwe, M. (2015). Traditional music in Rwanda. Retrieved from https://www.musicinafrica.net/magazine/traditional-music-rwanda

Barrett, J. C. (1991). The Economic Role of Cattle in Communal Farmring Systems in Zimbabwe. Harare.

Fink, B., Weege, B., Flügge, J., Röder, S., Neave, N., & McCarty, K. (2012). Men’s Personality and Women’s Perception of their Dance Quality. Personality and Individual Differences, 52(2), 232–235. https://doi.org/10.1016/j.paid.2011.10.008

Hall, M. (1986). The Role of Cattle in Southern African Agropastoral Societies : More than Bones Alone Can Tell. South African Archeological Society, 5, 83–87.

Havyarimana, A. (2021). The Rise of Traditional Dance Clubs and the Genesis of Dance Commodification in Bujumbura City. Revue de l’Université Du Burundi/ Série Sciences

Humaines et Sociales, (19), 71–88. Retrieved from https://revue.ub.edu.bi/JUB/article/view/132

IGL. (2015). La protection des droits d’auteurs : une volonté qui a du mal à se concrétiser. Retrieved April 18, 2019, from https://www.infosgrandslacs.info/productions/la-protectiondes-droits-dauteurs-une-volonte-qui-du-mal-se-concretiser-0

Iwacu. (2014). Ce jour-là, le 9 février 1991 : adoption solennelle de la Charte de l’Unité nationale. Retrieved from http://www.iwacu-burundi.org/ce-jour-la-9-fevrier-1991- adoption-charte-unite-nationale/

Jewsiewicki, B., & Pype, K. (2019). Popular Culture in the Democratic Republic of Congo. In T. Spear (Ed.), African History (Oxford Enc, pp. 1–29). Oxford University Press.

Kringelbach, H. N. (2013). Dance Circles: Movement, Morality and Self-Fashioning in Urban Senegal. New York & Oxford: Berghahn.

Kringelbach, H. N., & Skinner, J. (2012). The Movement of Dancing Cultures. In Dancing Cultures: Globalization, Tourism and Identity in the Anthropology of Dance (pp. 1–25). New York & Oxford: Berghahn Books.

Mackrell, J. R. (n.d.). Dance. In Britannica Academic. Retrieved from https://academic.eb.com/levels/collegiate/article/dance/110116#

Mojaki, P. G. (2014). The Phathisi dance of Botswana: Decoding the meanings in the traditional performances of a dance. Journal of the Musical Arts in Africa, 11(1), 99–112. https://doi.org/10.2989/18121004.2014.995443

Neuenfeldt, K., & Costigan, L. (2004). Negotiating and enacting musical innovation and continuity: How some Torres Strait Islander songwriters incorporate traditional dance chants within contemporary songs. Asia Pacific Journal of Anthropology, 5(2), 113–128. https://doi.org/10.1080/1444221042000247661

Ntahombaye, P. (2005). Ethnicité et Citoyenneté au Burundi. The African Anthropologist, 12(1), 46–64.

Plancke, C. (2010). On Dancing and Fishing: Joy and the Celebration of Fertility Among the

Punu of Congo-Brazzaville. Africa, 80(4), 620–641. https://doi.org/10.3366/afr.2010.0405

Pype, K. (2015). Remediations of Congolese urban dance music in Kinshasa. Journal of African Media Studies, 7(1), 25–36. https://doi.org/10.1386/jams.7.1.25_1

Röder, S., Carbon, C. C., Shackelford, T. K., Pisanski, K., Weege, B., & Fink, B. (2016). Men’s Visual Attention to and Perceptions of Women’s Dance Movements. Personality and Individual Differences, 101, 1–3. https://doi.org/10.1016/j.paid.2016.05.025

Su, X. (2011). Commodification and the selling of ethnic music to tourists. Geoforum, 42(4), 496–505. https://doi.org/10.1016/j.geoforum.2011.03.006

Theodorakis, N., Goulimaris, D., & Gargalianos, D. (2003). The relationship between service quality and behavioural intentions for spectators at traditional dance performances in Greece. World Leisure Journal, 45(1), 53–61. https://doi.org/10.1080/04419057.2003.9674305

Uvin, P. (2017). Ethnicity and Power in Burundi and Rwanda : Different Paths to Mass Violence. Comparative Politics, 31(3), 253–271. Retrieved from http://www.jstor.org/stable/42233

Downloads

Published

2021-12-31

How to Cite

DANCING IDENTITIES OR THE INTRICACIES UNDERPINNING DANCE COMMODIFICATION IN BUJUMBURA CITY1. (2021). Humanities and Social Sciences Series, 20(1), 108-123. https://doi.org/10.71105/

Similar Articles

1-10 of 27

You may also start an advanced similarity search for this article.